Could anything be interpreted more maliciously?
by Maria Popova
‘On April 27, a month after Woolf’s death, The Sunday Times ran the following self-righteous evisceration by a Mrs. Kathleen Hicks, wife of the Bishop of Lincoln:
“Sir, — I read in your issue of Sunday last that the coroner at the inquest on Mrs. Virginia Woolf said that she was “undoubtedly much more sensitive than most people to the general beastliness of things happening in the world to-day.” What right has anyone to make such an assertion?
If he really said this, he belittles those who are hiding their agony of mind, suffering bravely and carrying on unselfishly for the sake of others. Many people, possibly even more “sensitive,” have lost their all and seen appalling happenings, yet they take their part nobly in this fight for God against the devil.
Where are our ideals of love and faith? And what shall we all be if we listen to and sympathize with this sort of “I cannot carry on?”…’
Is Colbert Just Another Racist Clown?
Out-of-context joke sparks Twitter campaign to cancel Colbert
‘Guess which part of that @ColbertReport tweeted out that angered Twitter users? That’s right, out of context, “I am willing to show #Asian community I care by introducing the Ching-Chong Ding-Dong Foundation for Sensitivity to Orientals or Whatever.” (Hashtagging “Asian” was a great touch, don’t you think? Just to prove that there was a real Social Media Professional at work on racially objectionable tweets.)
‘Twitter user and freelance writer Suey Park’s response:
The Ching-Chong Ding-Dong Foundation for Sensitivity to Orientals has decided to call for #CancelColbert. Trend it.
Art of the Essay and Narrative Nonfiction vs. Poetry and Short Stories
‘…Comparing the extinction of the essay with the shrinking of other literary forms — including a particularly ungenerous but, perhaps, tragically accurate account of poetry’s role in the literary ecosystem — Dillard presages the rise of the narrative essay:
“Poetry seems to have priced itself out of a job; sadly, it often handles few materials of significance and addresses a tiny audience. Literary fiction is scarcely published; it’s getting to be like conceptual art — all the unknown writer can do is tell people about his work, and all they can say is, “good idea.” The short story is to some extent going the way of poetry, willfully limiting its subject matter to such narrow surfaces that it cannot address the things that most engage our hearts and minds. So the narrative essay may become the genre of choice for writers devoted to significant literature.”
‘She goes on to explore just what makes the narrative essay such a winsome genre over short fiction and poetry:…’